It’s sometimes playful It’s sometimes groovy It’s sometimes surreal It’s sometimes like a movie
It’s sometimes light It’s sometimes metaphysical It’s sometimes interstellar It sometimes gets political
Sometimes my words rhyme Sometimes they don’t Sometimes they flow like a river Sometimes I wonder if they missed the boat
Sometimes my words come from my heart Sometimes they spring from my head Sometimes I spit them out at breakfast Sometimes they arrive when I’m sleeping in bed
So, here’s a note of thanks To everyone who played a part In transforming my concept Into a library-bound work of art
I’d also like to thank All the dedicated librarians And everyone on the SFPL staff Especially the Bay Beats custodians
What a wondrous institution our library is A place where knowledge thrives And diverse music lives
OUT NOW. “Howling at the Moons of Saturn” – a spoken-word collection featuring original music by an all-world contingent of composers and musicians.
Huge thanks to everyone who played a part during the seven or so years it took to complete this project.
Theresa Calpotura John Vanderslice Jules Leyhe Robert Shelton Carly Bond Andrew Dixon Ryan Ross Smith Crystal Pascucci Mark Clifford James Riotto Jason Slota Danielle Goldsmith Jacob Winik
What happens when an entrepreneurial descendent of Count Dracula decides to operate his castle as a vacation rental property? Find out in my new short story “The Thirst,” now available in “Monsterthology 3,” an all-new anthology featuring classic horror monsters.
A car in the distance – on a gravel road. A cow. A rooster. A dog barks. Birds chirp. And I think back to yesterday at twilight, when hundreds of chicks clamored for food in the trees by the dining hall. Hungry. And alive.
The embers from last night’s fire still smolder in the firepit outside my room, where late-night revelers performed musical gems while sharing the last 10 cans of beer in the world. I exaggerate, but that’s how it felt when I learned the bar was closed for the night. Like the world ended and I missed out on my chance to stock up on reposado.
No, I wouldn’t do well in the zombie apocalypse.
Staring out at the lake, I feel the sting of smoke in my eyes. My clothes smell of char. And my beanie reeks like it fell into a bin of campfire ash.
I’m ready for breakfast, but I want to finish these notes first. What’ll I eat anyway? A bowl of fruit. A handful of raisins. Five sausages rolling around my plate like severed fingers. Now I’m thinking about and humming St. Vincent’s song “Severed Crossed Fingers.” I love that title. But we all know I have a dark streak, don’t we?
Anyway, back to breakfast. I wonder if we’ll be joined today by the army of kids. With their troop leader hollering on her megaphone.
“Raccoon girls, your turn for breakfast.”
“Squirrel boys, you’re up next.”
I never attended camp as a child, though there was that time on a high-school trip when I dropped acid in Yosemite. Somehow, I got locked out of my cabin and found myself wandering on a snow-covered path that transformed into a river of talking snakes – all under the shadows of El Capitan and Half Dome. Eagle Peak and Cathedral Rock.
Do you think Ansel Adams ever dropped acid while capturing his masterpieces?
A shooting star darts through the morning sky. Or a comet. Or an intercontinental ballistic missile. I’d like to reach out and catch it. I’d also like to sing and dance in the sea of Tranquility. And to use one of Saturn’s rings as an interstellar hula-hoop.
Here’s a bit of trivia I learned recently; Saturn has 146 moons!
Speaking of Saturn’s moons, come a little closer and I’ll let you in on a secret. I’m releasing a new spoken-word collection soon called “Howling at the Moons of Saturn” that features a group of amazing musical collaborators. Sssshhh, that’s just between us for now. More coming soon, but I hope you’ll give it a listen.
I spin the ring on my finger, remembering when we said “til death do us part” under City Hall’s Beaux-Arts dome. Near the Elvis groom and the others sharing their nuptial vows. We’re not dead yet, I think, but you’re working in Europe for a few weeks, while I’m humming about severed fingers, lamenting a missed a tequila run, and musing on the way of the world at a songwriting camp somewhere on the road between Yosemite and Fresno.
Many thanks to the 12th Ó Bhéal International Poetry-Film Competition for selecting “How Much Filipino” for their Winter Warmer Poetry Festival. All films will be screened at Nano Nagle Place in Cork, Ireland and streamed online (Nov. 24, 2024).
Judges selected 30 films for the festival from 174 submissions received from 144 filmmakers in 29 countries.
Thanks to the Second Poetic Cinema Festival for selecting “The Missing Book” for their festival in Buenos Aires, Argentina. The festival took place Oct 9 – 11 at the Espacio Arte Vivo. Wish I could have been there to see all the poetry films.
Super-huge thanks to author Maria Victoria Yujuico for focusing on “How Much Filipino” for her Positively Filipino Magazine article on contemporary Filipino artists and historical memory.
Working on this short film has been a true labor of love.
I couldn’t have done it without Rae Steinwand’s animation and an original score composed and performed by Theresa Calpotura.
This film is now heading out to festivals around the world.
I’m very honored and humbled for “The Missing Book” to be an official selection at the MALDITO FESTIVAL DE VIDEOPOESÍA to be held November 15 at the Teatro Circo in Albacete, Spain.
For those unable to travel to Albacete, “The Missing Book” will also be shown online as part of the festival starting November 16.